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Re: Interpolation - Smooth to Sharp Transition
If you have a real curve, in a non-variable font, and one handle is retracted onto the on-curve point, that is usually just sloppy. In variable fonts, there are cases where such constructions are not…2 -
Re: Inconsistent overshoots?
Absolutely, overshoot can be expected to vary between glyphs, when different shapes are involved. Flatter/wider elements need less overshoot, pointier/smaller bits need more. The old terminology from…4 -
Re: Affinity 2.0
All about their perception of where the money is. In 90% of software projects for design purposes, probably including this one, nobody realizes what all is REALLY involved in global text layout until…7 -
Re: Affinity 2.0
Too bad. I am sure they had other things to pursue, but that renders Affinity apps pretty useless to me for design work.3 -
Re: Italic for ALL glyphs?
The bar is vertical, that is its whole reason for existence (IMO). Not angled the same as the text, but… vertical. Of course, some folks also keep brackets and braces vertical in italics as well.3
